Looking for Crew Members for a Professional Short Film 

Looking for Crew Members for a Professional Short Film


For an upcoming short film project, we are looking for dynamic collaborators to join our crew. The shooting dates are not fixed yet, but would likely begin around the middle of May, ending latest in early June 2021.

As a creative team, we aspire to create a professional piece of work, although we will be operating on a very low budget. As such, this will largely be an unpaid film project. Nevertheless, we hope to see interest by both amateur and professional collaborators who are willing to give their best, learn from each other, and forge new networks.

Naturally, everyone will be credited for their work on the project and will of course receive access to the final edited film for use on their own personal/professional platforms.

A separate casting call for actors/actresses will be listed in the coming days.

Short Film: You’ll Always Have Rebecca

You’ll Always Have Rebecca is a psychological drama set in the fictional world of a social escort services establishment called the Diamond and follows the experience of its popular social escort, Rebecca, as she journeys towards freedom from its unscrupulous leader, known to all as Uncle Frank. The movie is set over a 2-day period during which startling revelations are made by her mother Linda, Uncle Frank and her girlfriend Tasya, threatening to disrupt her sense of identity.

The following lists various crew members still needed, along with their main duties.

Anyone interested should contact Aleksandra Morf:



+41 79 550 42 86


Producer – To manage the production from start to finish.

Production Manager / Film Equipment Organiser – To make business deals with the crew and arranges for the production’s technical needs.

Assistant Director - The assistant director is the individual that works out the administrative tasks associated with the production of your short film.

Intimacy Coordinator – To help choreograph scenes involving sensual, sexual, intimate scenes between actors and to serve as a liaison/coordinator between the performers and the director/production team.

Lighting Technician Electrician – To help rig lights, run cables, and ensure a steady flow of power for lights and equipment either on set or on location.

Boom Operator / Sound Recorder – To handle the microphone boom, allowing the microphone to follow the actors as they move.

Cameraman Assistant AC / Focus Puller - To help unload and set up the equipment, make sure camera batteries are charged, cards are ready, monitors working, and have any other camera accessories like lenses or filters ready for the camera operator. A focus puller or first assistant camera (1st AC) primary responsibility is to maintain the camera lens's optical focus on whatever subject or action is being filmed.

Location Manager / Scout - To help find and secure locations to be used, obtaining all fire, police, and other governmental permits, and coordinating the logistics for the production to complete its work.

Costumer / Set Dresser / Props - To take care of the costumes on the set, keeping them in good, clean condition, and making sure the right actor gets the right costume. The set dresser will be responsible for creating a realistic environment.

Background Recorder, Photography, Behind of Scenes – To record and take photography of the behind of scenes in a film and the crew.

Production Caterer – To see to the provision of meals for the production’s on-location shoots.

Transportation Coordinator – To make sure that actors, crew, and equipment have some way of getting to the location shoot.

Storyboarder / Artist – To provide the shot-by-shot visual representation of a film sequence and break down the action into individual panels which detail camera direction, dialogue, etc.

Press Kit Maker – To produce an image booklet of the film containing detailed information about the project.

Production Assistants – To perform small but essential tasks for the cast and crew.

Film Editor / Colour Grading - To work with the director in editing the film, assembling preliminary cuts from the daily footage. To use editing software to stylize the footage, emphasizing the visual tone and atmosphere of a movie and making it look more cinematic.

Thank you and we look forward to hearing from you!

Aleksandra Morf